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Work in Series — four

  1. Malpaís 2026 · Lanzarote
  2. Costa de Oaxaca 2026 · Oaxaca
  3. Textura Mediterránea 2025 · Mallorca
  4. Concrete Jungle 2024 · Hong Kong

Concrete Jungle

2024 · Hong Kong

Skyline dissolving into haze, a small boat
A man looking across the harbour
Star Ferry crossing the harbour
Bus terminus with palms and haze
Shuttered street, sacks on a trolley
Red taxis under a flyover
Rear of a green minibus
Red characters on a hanging sign
Street closed off by a salmon block
Trams on the corner at dusk
Two blocks, green triangles

Textura Mediterránea

2025 · Mallorca

The whole cove
Boy on the rock
Two of them, on the stones
Surfacing, smiling
Surfacing, out of breath
Steps down to the water
The dog on the rock
Two of them at dusk

Malpaís

2026 · Lanzarote

The ridge
White house under the slope
Jug and basin
Swimmer
Writing by the window
Pointing out to sea
Girl and wave
Sleeping on the sand
Two fishermen
Through the round window
The coast from above
The island from the plane
Three figures, one sail

Costa de Oaxaca

February 2026 · Puerto Escondido, Oaxaca, Mexico

The lagoon
Cattle in the palm grove
Riders towards the sea
At the riverbank
Horse, close
Two saddled horses
Horses swimming

Archive

A hand with a cigarette at a night table, lisianthus in a bottle
Amsterdam, 2025
A woman waiting at a lit corner under a canopy, at night
Mexico City, 2026
Three figures in a garden, seen through a reflecting window
Mexico City, 2026
Marco, at night
Amsterdam, 2025
Marco in profile
Amsterdam, 2025
Looking up, courtyard
Antwerp, 2026
At the window, cigarette
Paris, 2024
A doorway onto the street, with a woven hanging
Antigua, 2024
A single pomegranate lit against dark leaves
Granada, 2026
A portrait among the trees, in a pale collared shirt
Amsterdam, 2026
A man smoking on the bow of a boat, an island on the horizon
Ponza, 2026
A boy carrying a fish along the rocks, moored boats behind
Ponza, 2026
A man at a café table reaching for a bottle, Calle Rimpeto la Sacrestia
Venice, 2026
A fish stall under a red awning, smoke and stairs behind
Palermo, 2025
A woman talking, in novelty glasses
Granada, 2023
Shadows from above
Rome, 2025
The crowd and the wall
Rome, 2025
A wine glass on a white ledge, its shadow beside it
Porto, 2023
Dried allium against the wall
Amsterdam, 2026
Against the lamppost
Amsterdam, 2026
Leaning out, parking lines
Amsterdam, 2026
Walking, laughing
Amsterdam, 2026
The petal in his hands
Amsterdam, 2026
Gulls over the pier
Sussex, 2026
Through the doors, the lit floor
Sussex, 2026
At the claw machine
Sussex, 2026
The row of machines
Sussex, 2026
Bulbs strung on a wire above the rooftops
Egypt, 2025
A man and a donkey cart against a red wall, the city in haze below
Egypt, 2025
Rooftops seen from above
Paris, 2024
At the window, looking down
Paris, 2024
Father at the window, boy in the street
Copenhagen, 2024
A man in his window, with the cat
Amsterdam, 2024
Portrait in a red doorway
Cape Town, 2026
Facing the shutter
Amsterdam, 2026
Hands to the face
Menorca, 2022
A man with a guitar, against a wooden wall
Amsterdam, 2024
Man leaning on a kiosk counter
Vienna, 2025
Cigarette, in the street
Paris, 2024
Houses stacked up the hillside
Santa Catarina Palopó, 2024
Two people on a ridge above the valley
Atitlán, 2024
A truck loaded with flowers passing under the arch
Antigua, 2024
A boy sitting on a rock above the lake
Atitlán, 2024
A boy cycling down a narrow alley between houses
Costa Rica, 2022
Three backs, one sail
Viveiro, 2024
Fishing from the bridge
Viveiro, 2024
Standing in the water
Viveiro, 2024
Three people on a bench, backs to the camera, headland and water
Sydney, 2024
People leaning on a wall above the river, boats and the far bank
Porto, 2025
Boats on the sand
Almuñécar, 2023
The pier and the beach
The Hague, 2025

SHORT FILM — IN EDIT

L’envers du miroir

Three figures in white on the rocks, at three heights of the forest

Status — in edit, first cut October 2026

Running time — 11 min

Direction — Louis Carreau

Camera — Marta Santos Garrido

Looking for — festivals and screening venues

A draped form with white feathers standing on a rock
A framed painting propped against a table in the forest
Branches against a grey sky, one trunk catching the last light
The garden seen through a torn hole in fabric
Legs walking past a framed painting of two faces
The lunch table under the trees, half of the frame burnt out by light

About Marta Santos Garrido · Photographer

I have come to think you can tell more about someone by how they look at the world than by where they are from. Mine was shaped in Madrid, unsettled early on by two seasons in Singapore and Seoul, and has settled, for now, into Amsterdam.

Beauty is how I know where to look. For years, looking was enough. I was a devoted dilettante, content to leave what I found where I found it. Then I was not anymore: I wanted to keep it, and give it back through my own eye.

With people, I am after something truer still: the soul, surfacing briefly through the physical, real simply for having been caught. I have always been moved by how little of our existence stays. That being the impermanence of things. There is a Japanese phrase for that particular ache, mono no aware: the tenderness of things precisely because they do not last. A photograph holds a stillness that will not happen twice. It is proof the moment existed at all, what Barthes called “ça a été”. A memory made tangible, one I can return to endlessly.

Colour and black and white, film and digital. Camera on L’envers du miroir, a first short film now in edit. Available for editorial, portrait and commissioned work.

Based
Amsterdam
From
Madrid
Series
Four · 2024–2026
Film
One, in edit
Open to
Assignment
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